Symbols

Published: Monday, May 18, 2026 at 4:01 am

Sergeant's "Symbols": A Deep Dive into Existentialism and Sound

Brussels-based musical group Sergeant has released its second album, "Symbols," expanding on the sound established in their debut. The duo, comprised of producer Benjamin Cools and singer Ferre Marnef, now includes Geraldine Vanspauwen, whose vocals add a brighter dimension to the band's sonic landscape.

"Symbols" continues Sergeant's exploration of complex themes, with Marnef's lyrics delving into the anxieties and ecstasies of everyday life. The album's song titles, mirroring the style of their debut, hint at the philosophical depth within. The music itself blends ambient-leaning, post-punk sound design with elements like chimes and panpipes, creating a unique and immersive listening experience.

Marnef's lyrics often grapple with the challenges of maintaining a sense of self in a world of constant change. Songs like "Shopping for an Avant-Garde Identity in the Bazaar of Life" reflect on the experiences of life, while "My Tongue Pronouncing Words Without Consenting to Their Utterance" explores communication breakdowns.

Marnef's vocals, characterized by a casual atonal quality, convey an inherent optimism, though it's a fragile one. This is most evident in the album's closing track, "Working Through Disappointment to Further Disappointment to Defeat." This song, a dirgey dub track, departs from the album's more expansive sound, creating a sense of claustrophobia that underscores the themes of disconnection and defeat.

BNN's Perspective:

Sergeant's "Symbols" offers a thought-provoking exploration of modern anxieties, wrapped in a unique and engaging sound. While the album's introspective nature may not appeal to all listeners, its artistic ambition and willingness to confront complex themes are commendable. The band's ability to blend accessibility with insularity is a testament to their creative vision.

Keywords: Sergeant, Symbols, album review, music, Ferre Marnef, Benjamin Cools, Geraldine Vanspauwen, post-punk, ambient, existentialism, Brussels, dub, avant-garde, music review, new music

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