COSPLAY
3 minute readPublished: Friday, November 14, 2025 at 5:02 am
Sorry's "COSPLAY" Explores Nostalgia and the "Slow Cancellation of the Future"
London-based band Sorry, comprised of Asha Lorenz and Louis O'Bryen as primary songwriters, along with Lincoln Barrett, Campbell Baum, and Marco Pini, are releasing their third album, "COSPLAY." The album delves into the complex relationship between past and present, a theme that has defined the band's nearly decade-long career.
Sorry's music reflects a broader cultural trend of borrowing and repurposing, a phenomenon described by some as the "slow cancellation of the future." This concept suggests a stagnation of progress, where the past increasingly dominates the present, particularly in creative fields. The band's work directly engages with this idea, referencing and reinterpreting elements from various musical eras and artists. They have previously incorporated influences from bands like Oasis and refashioned lyrics from artists such as Tears For Fears and Death Cab for Cutie.
"COSPLAY" marks a shift in Sorry's approach. The band moves away from the irony that previously distanced listeners, instead embracing a more direct exploration of their influences. The album sees them experimenting with different personas, including UGK MC, folk troubadour, and dark ambient chanteuse. The result is an album that is unpredictable, sensuous, and slightly unsettling, capturing the disquieting sounds of a "foregone future."
BNN's Perspective:
Sorry's approach to music, as reflected in "COSPLAY," offers a compelling commentary on the current cultural landscape. While the band's embrace of nostalgia might resonate with some, it also raises questions about the potential for genuine artistic innovation. The album's exploration of the "slow cancellation of the future" is a timely reminder of the importance of balancing reverence for the past with a forward-looking vision.
Keywords: Sorry, COSPLAY, album, music, nostalgia, future, Asha Lorenz, Louis O'Bryen, London, band, influences, pop music, culture, artistic innovation, slow cancellation of the future